A metacinematic reflection on the nature of representation and the ongoing drug war in Mexico, Nicolás Pereda’s Flora revisits locations and scenes from the mainstream 2010 narco-comedy El Infierno, exploring the paradoxes of depicting narco-trafficking on film—its tendency both to romanticize and to obscure. To screen is both to project and to conceal.

• Gabino Rodríguez
• Luisa Pardo
• Francisco Barreiro
• José Rodríguez López
• Teresa Sánchez
• Fernando Álvarez Rebeil